LavieEdenel — stream on September 7, 2026
ID/ENG/日本語 🌙 I'm Asleep, But the Music Is Still Here • Stay Awhile • おやすみ中ですが音楽は続いています
Started · 2d · ended
Estimated
Viewers during this broadcast
Sampled every few minutes. Breaks in the line are stretches we did not observe — they are never drawn across.
- Music15:39–02:17
- Onimusha: Way of the Sword02:17–09:59
- Music09:59–02:18
- NTE: Neverness to Everness02:18–02:57
- Onimusha: Way of the Sword02:57–09:08
- Music09:08–15:41
View as table
| Time (UTC) | Viewers |
|---|---|
| Sep 7, 2026, 3:44 PM UTC | 75 |
| Sep 7, 2026, 4:52 PM UTC | 78 |
| Sep 7, 2026, 6:02 PM UTC | 80 |
| Sep 7, 2026, 7:10 PM UTC | 78 |
| Sep 7, 2026, 8:16 PM UTC | 78 |
| Sep 7, 2026, 9:20 PM UTC | 79 |
| Sep 7, 2026, 10:27 PM UTC | 78 |
| Sep 7, 2026, 11:30 PM UTC | 80 |
| Sep 8, 2026, 12:09 AM UTC | 78 |
| Sep 8, 2026, 12:43 AM UTC | 76 |
| Sep 8, 2026, 1:19 AM UTC | 77 |
| Sep 8, 2026, 1:49 AM UTC | 79 |
| Sep 8, 2026, 2:24 AM UTC | 80 |
| Sep 8, 2026, 2:59 AM UTC | 76 |
| Sep 8, 2026, 3:33 AM UTC | 81 |
| Sep 8, 2026, 4:05 AM UTC | 79 |
| Sep 8, 2026, 4:39 AM UTC | 79 |
| Sep 8, 2026, 5:11 AM UTC | 79 |
| Sep 8, 2026, 5:49 AM UTC | 80 |
| Sep 8, 2026, 6:38 AM UTC | 79 |
| Sep 8, 2026, 7:30 AM UTC | 78 |
| Sep 8, 2026, 8:09 AM UTC | 79 |
| Sep 8, 2026, 9:12 AM UTC | 77 |
| Sep 8, 2026, 10:03 AM UTC | 79 |
| Sep 8, 2026, 10:33 AM UTC | 79 |
| Sep 8, 2026, 10:55 AM UTC | 77 |
| Sep 8, 2026, 11:17 AM UTC | 78 |
| Sep 8, 2026, 11:37 AM UTC | 77 |
| Sep 8, 2026, 11:59 AM UTC | 77 |
| Sep 8, 2026, 12:19 PM UTC | 79 |
| Sep 8, 2026, 12:39 PM UTC | 77 |
| Sep 8, 2026, 1:01 PM UTC | 75 |
| Sep 8, 2026, 1:36 PM UTC | 78 |
| Sep 8, 2026, 2:21 PM UTC | 77 |
| Sep 8, 2026, 3:06 PM UTC | 80 |
| Sep 8, 2026, 3:51 PM UTC | 80 |
| Sep 8, 2026, 4:35 PM UTC | 77 |
| Sep 8, 2026, 5:21 PM UTC | 78 |
| Sep 8, 2026, 6:06 PM UTC | 80 |
| Sep 8, 2026, 6:53 PM UTC | 77 |
| Sep 8, 2026, 7:35 PM UTC | 77 |
| Sep 8, 2026, 8:11 PM UTC | 77 |
| Sep 8, 2026, 8:40 PM UTC | 78 |
| Sep 8, 2026, 9:08 PM UTC | 77 |
| Sep 8, 2026, 9:38 PM UTC | 77 |
| Sep 8, 2026, 10:08 PM UTC | 78 |
| Sep 8, 2026, 10:39 PM UTC | 78 |
| Sep 8, 2026, 11:08 PM UTC | 77 |
| Sep 8, 2026, 11:34 PM UTC | 78 |
| Sep 8, 2026, 11:52 PM UTC | 80 |
| Sep 9, 2026, 12:11 AM UTC | 76 |
| Sep 9, 2026, 12:33 AM UTC | 80 |
| Sep 9, 2026, 12:49 AM UTC | 76 |
| Sep 9, 2026, 1:08 AM UTC | 77 |
| Sep 9, 2026, 1:26 AM UTC | 78 |
| Sep 9, 2026, 1:44 AM UTC | 80 |
| Sep 9, 2026, 2:03 AM UTC | 78 |
| Sep 9, 2026, 2:22 AM UTC | 80 |
| Sep 9, 2026, 2:39 AM UTC | 102 |
| Sep 9, 2026, 2:56 AM UTC | 105 |
| Sep 9, 2026, 3:13 AM UTC | 102 |
| Sep 9, 2026, 3:29 AM UTC | 104 |
| Sep 9, 2026, 3:44 AM UTC | 107 |
| Sep 9, 2026, 4:04 AM UTC | 100 |
| Sep 9, 2026, 4:19 AM UTC | 109 |
| Sep 9, 2026, 4:35 AM UTC | 100 |
| Sep 9, 2026, 4:54 AM UTC | 103 |
| Sep 9, 2026, 5:11 AM UTC | 104 |
| Sep 9, 2026, 5:28 AM UTC | 108 |
| Sep 9, 2026, 5:46 AM UTC | 101 |
| Sep 9, 2026, 6:04 AM UTC | 103 |
| Sep 9, 2026, 6:21 AM UTC | 101 |
| Sep 9, 2026, 6:39 AM UTC | 93 |
| Sep 9, 2026, 6:54 AM UTC | 84 |
| Sep 9, 2026, 7:12 AM UTC | 82 |
| Sep 9, 2026, 7:31 AM UTC | 77 |
| Sep 9, 2026, 7:51 AM UTC | 77 |
| Sep 9, 2026, 8:10 AM UTC | 76 |
| Sep 9, 2026, 8:29 AM UTC | 79 |
| Sep 9, 2026, 8:49 AM UTC | 80 |
| Sep 9, 2026, 9:04 AM UTC | 75 |
| Sep 9, 2026, 9:24 AM UTC | 86 |
| Sep 9, 2026, 9:39 AM UTC | 85 |
| Sep 9, 2026, 9:57 AM UTC | 82 |
| Sep 9, 2026, 10:14 AM UTC | 82 |
| Sep 9, 2026, 10:34 AM UTC | 79 |
| Sep 9, 2026, 10:53 AM UTC | 80 |
| Sep 9, 2026, 11:09 AM UTC | 79 |
| Sep 9, 2026, 11:29 AM UTC | 81 |
| Sep 9, 2026, 11:44 AM UTC | 82 |
| Sep 9, 2026, 12:01 PM UTC | 83 |
| Sep 9, 2026, 12:18 PM UTC | 81 |
| Sep 9, 2026, 12:34 PM UTC | 80 |
| Sep 9, 2026, 12:52 PM UTC | 82 |
| Sep 9, 2026, 1:08 PM UTC | 82 |
| Sep 9, 2026, 1:26 PM UTC | 83 |
| Sep 9, 2026, 1:47 PM UTC | 83 |
| Sep 9, 2026, 2:17 PM UTC | 84 |
| Sep 9, 2026, 2:48 PM UTC | 85 |
| Sep 9, 2026, 3:14 PM UTC | 81 |
| Sep 9, 2026, 3:36 PM UTC | 82 |
Category timeline
Where the broadcast’s time went. A switch is placed midway between the last sample of one category and the first of the next, because that is as precisely as sampling can locate it.
| Category | Started (UTC) | Duration | Avg viewers | Peak | Hours watched |
|---|---|---|---|---|---|
| Music | 10h 37m | 78.5 | 84 | 834 | |
| Onimusha: Way of the Sword | 7h 41m | 78.4 | 83 | 604 | |
| Music | 16h 19m | 77.6 | 84 | 1,266 | |
| NTE: Neverness to Everness | 39m | 95.3 | 106 | 62 | |
| Onimusha: Way of the Sword | 6h 10m | 93.0 | 110 | 574 | |
| Music | 6h 33m | 82.1 | 88 | 538 |
How this broadcast compares
This broadcast averaged 80.8 viewers, 48.4% above the channel’s 30-day average of 54.4 viewers.
This broadcast drew a higher average audience than 97% of the 29 streams we finalised for this channel in the last 90 days.
How we measured it
- Samples collected
- 890
- Sampling coverage
- 100%
- Data confidence
- 100%
We check a live channel every few minutes rather than continuously, so these numbers are estimates built from 890 observations. Coverage is the share of the broadcast those observations account for; confidence combines that coverage with how many samples we took and whether we saw the stream end. Time we did not observe is excluded from the averages rather than filled in.
What stands out
- This stream averaged +48.4% versus the channel's 30-day average of 54 viewers.
- Among the top 3% of this channel's tracked streams by average viewership.
- The broadcast covered 6 categories.
- 28 sampling gaps occurred during this broadcast; the affected time is excluded from the averages rather than estimated.
Tracked since . Last updated .